JBR LIFE Photography

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Everything posted by JBR LIFE Photography

  1. Very interesting. I'm surprised to see the gray card come back into play, but then again, that's kinda cool. Haven't played with those in a while. It creates a clean look, and I think yours does a better job than most at not flattening the image and losing depth. Most of the ambient blending work I've seen looks like a CAD rendering, which I personally find undesirable, but that's just me. Good job, good work. I guess I'm still just old school, schlepping around strobes and working the piss outta my files. lol
  2. When you shoot these, are you doing the thing where you walk a single flash around the room and shoot different frames, plus one metered for exterior view? I've heard / seen this method before, just curious if that's your gig. Or is it a single interior with a single exterior blend?
  3. I don't think it's too high. Had the camera been lower, that big scraggly tree would've blocked off the garage entirely. I think you're spot on with making sure to get stills down low, but try to find exceptions to your own rule and see how you surprise yourself Thanks for sharing and jumping into this thread too!
  4. ...and lastly, this is an interior shot from a luxury vacation rental penthouse. The image here is a single exposure, no layering or HDR, just some gentle strobe work and a bit of work in Lightroom to bring in the view.
  5. Aloha everyone! I made this thread in an attempt to promote sharing still photography related to real estate & architecture. While the obvious desire is to see some of those mad aerial skills, feel free to bam it with ground & interior images you'd like to showcase. So, in a nutshell, have a sweet property pic to share? Want some advice on a photo edit? Just wanna feel good about nailing a shot? Then this is the place to share it! I'll kick off the party with a few of my own. MODS: Could this one be pinned to the top with the video thread?
  6. Initially, I thought you were joking, because to me, I'm still learning and who am I to teach others? But then, I thought maybe you were being sincere, and I want to make sure to appreciate that as well. The thought has crossed my mind, but the only problem is that I don't know how to keep from inadvertently training my local competition in the process. One thing I've been doing from time to time is screen recording some of my photo editing process. I haven't done that with video yet, and I haven't even shared any of the vids with anyone, nor have I organized them any further than bein
  7. And one more for today. I was much more prepared for this shoot. Ha! This particular neighborhood currently has several units listed, a few of which I shot, using upbeat music, speed ramps and quick jump cuts. Of course, I'm seeing more and more competitors use similar techniques, so I chose to shoot this one with a slow and steady theme. Hopefully it'll stand apart from the others, and remind the client that quick and flashy is a style, not a standard. Enjoy!
  8. When booking this shoot, the client tells me the place will likely be pretty messy, as there's a family of 7 living in the home. Together, we agreed that this would be photos only, no video, no 3D. I show up to the shoot with only my photo kit...no gimbal, slider, 3D cam, video lights, etc. The residents are in their car leaving, and as we entered the house, SURPRISE! The place looked awesome. Oh crap. So, whatevs, I made a video anyhow. All the ground footy is hand held, stabilized a bit in post to help. No additional lighting, just some creative post editing and awesome DR fro
  9. Have a look at Dracast. Their products are not cheap, but they're fabulous. I use a pair of bi-color 1000 LED lamps. Can adjust color temp and brightness. Seems to work out pretty well so far, although I've been thinking of picking up a third Dracast light, maybe one of the adjustable angle split panel units to help with super large spaces where the light seems to disappear into nothingness. lol
  10. Great job working in not only a tight property, but tight interior space as well! I normally don't enjoy jarring transitions, but this time it really worked well for moving between outdoor & indoor. Love the music too, kept it vibing. Is that light from the new one you picked up (200w)?
  11. Good question Mark! For me, the use case was very specific - I needed to drop a survey ribbon near a pin location over 2,000ft away from the launch / control point, and the property was in a rainforest. I knew going out to Nahiku meant downpours were 99% likely, so the wetsuit seemed a good fit. It worked great, I sent the P4 to the pin loc 2 times in pouring rain, dropped two 60ft long ribbons with rocks tied to them (using Gannet drone fishing release system), and the property owner found the pin the next day on foot, which required a lot of bushwhacking lol. Water on the len
  12. Thanks! The structures haven't been lived in for quite some time, and pretty much looked like a haunted house inside. lol
  13. I dunno which version it I have, but I love using it. Been a real life saver for low-light noise reduction. Helps with flicker a little as well, but I prefer to use a proper ND filter to remedy that while shooting.
  14. Sometimes, it's just droney baloney. This place had several structures, none of which were suitable for interior filming. So, outdoor small drone madness for this one, with a few b-roll ground clips folded in. Enjoy!
  15. You nailed it. Reasonably busy, enough that a new large parking structure was erected, with a tram, and there's a plan to extend the runways for international flights, but you know...Maui time, so could be like a decade or more from now. Small group of operators who actually request airspace, but there are enough sky pirates around sending up drones in this very area with no regard to the airport being right there. It's nuts. The tower manager was beside himself delighted that I phoned in so we could actually coordinate. But there was no requirement to phone in beforehand on the waiver.
  16. Much appreciated, Dave, I'll try this. Seems to be the closest thing to solution for now.
  17. Yes, I know that DJI geo has nothing to do with LAANC. That's exactly the problem. I've flown this area we're discussing countless times, zooming up the steep hill, flying back down, on different DJI birds without this ever popping up. A week ago was the first time for this zone. Both birds are current on updates, and yet the P4 still does NOT give me this hassle. As for unlocking ahead of time, that doesn't work here always. Often times this area is socked in with clouds and rain, so it's a case of 'if the clouds are out and you have time, run out there and fly the mission'. TH
  18. Aloha and welcome to the group! There's a wealth of experience and knowledge in this group, so stick around and you'll learn a few things from everyone here. Congrats on your real estate aerial video journey. This is the place to share if you're looking for constructive feedback, or just wanna show off some work. Looking forward to seeing some of your vids!
  19. As you can see, this is a problem when trying to climb steep terrain at even 350ft AGL from start point. You can quickly run into DJI's imposed 495ft limit and loose your headroom in short order.
  20. No custom unlock at all, just a straight forward LAANC authorized 400ft grid on the outer edge of the airspace, indicated by the blue outline in the photo below. Note the super steep cliffs in the far edge of the actual LAANC grid. The land below, with houses on it, is also super steep terrain. After obtaining LAANC authorization, I fired up the M2Z only to find this altitude limit of 495ft in place, as indicated by the yellow warning in the top of the screen. Check the pics below to see.
  21. I think you're missing my point. I can fly there, but if I were to be inspecting tall buildings, or simply fly up the hillside, I'd hit a ceiling. Especially the hillside ascent... This would pose a problem, as the drone would still be under 400ft AGL, but DJI's over reach would stop me from elevating accordingly.
  22. Keyframes always sound scarier than they really are. In the end, once you get a good workflow down, it's not a bid deal. Personally, I don't like putting images on screens because it detracts from the view. BUT, I realize I'm shooting places that fairly consistently have epic views out the windows. Maybe if there's a movie theater, then I'll add something to the screen, but usually I keep it to the visual appeal of the structure and environment. Fireplace fire is fun. I have a fire plugin, I'll send you a link via email.